Jamaica's Classical Musicians

- Harold St. Nicholas Cartier
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Some brief biographies
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This page is somewhat different from those on the contemporary musicians. I came across Mr. Cartier while doing other research, but I have not been able to find anything further about him. I shall put on this page all the references and information that I have on him, and hope that some one, somewhere, may be able to tell us more about this gifted young Jamaican.

Information from Ellis Island records:

 

Name: Harold Cartier

Occupation: Musician

Ethnicity: Jamaica, W Indian; Afr Bk [added in pencil]

Residnce: Toronto, Canada

DOA: Feb. 22, 1912 (sailed from Kingston Feb. 17)

Age: 25 years [born c 1887]

Gender: M

Marital status: S

Ship: Metapan

 

Additional info:

Reginald Chester 24 manager Br Canadian (non-immigrant alien)

Returning from tour

Address: 60 Brunswick Avenue, Toronto (parents’ home)

cartier1.jpg
Mr. H. Saint Nicholas Cartier

 
 
 
 
Noted Pianist will Give Recital Here.

Daily Gleaner

1912

 

January 8, p 17

 

MR. H. SAINT NICHOLAS CARTIER

The above is a picture of Mr. H. Saint Nicholas Cartier, the distinguished pianist, who is now on a visit to Jamaica, his native land, and will give his first recital in the Collegiate Hall on Tuesday, commencing at 3.15 o’clock.

           

By popular request Mr. Cartier has reduced his prices as announced in this paper recently to 4/ reserved and 2/ back seats. The box plan is now open at Louis Winkler and Son, 18 King St. Mr. Cartier expects to appear in Port Antonio, Montego Bay and Mandeville in the near future. These dates will be announced later.

January 11 p 6
 

GRAND RECITAL

Mr. Saint Nicholas Cartier

At Collegiate Hall.

A BRILLIANT PIANIST.

Another Recital Arranged to be

Given Next Week,

        

Mr. H. Saint-Nicholas Cartier, the talented pianist made his initial bow to the public of Jamaica on Tuesday night, when, to a small but appreciative gathering at the Collegiate Hall, he gave an exhibition in the art of piano-playing, which could not be surpassed, but by few men in the profession.

 

It was quite apparent from the scanty audience that the public were unaware of the talent of the pianist, and pessimistic as to his ability. The select few who were in attendance, however, were treated to a rich musical treat, and were unanimous in  their expressions of admiration at the brilliant exhibition by the master.

The following is a copy of the programme which was executed, each number of which was splendidly rendered and received with hearty applause.

 

PART I.

 

No. 1 - A. Prelude op 28 No. 20 C Minor . . . . . Chopin.

             B. Ballardo No. 3 D Flat Major . . . . . .  P.  

                 Tschaikowsky.

                          

No. 2 - Two Movements from Sonata Pathetique op

             13. C. Minor . . . Beethoven.

             Grave

                 Allegro Molto E. con brio

                     Adagio Cantabile

                          Adagio Finale

 

No, 3 - A. Mazurka op 81 No. 16 B Flat .  . Nicholai Von

                 Wilm.

             B. Spanish Dance op 12 No. 3 . . .  Moszkowski.

             C. Torch Dance from Henry VIII . .Ed. German.

         

No. 4 - A. Valse in A. Minor . . . . Nicholas Rubenstein.

             B. Valse in E Flat . . . . . . Anton Rubenstein.

                                     

PART II.

 

No. 1 – A. Prelude op 4 No. 8 C Sharp Minor . . . . . .     

                  Max Oldberg.

             B. Notturno au Chopin (Reverie) 1810-1849   

                  Liszt.

 

No. 2 - A Legend:

           “Saint Monica at the Bird Carnival by the

             Brook” . . Carl Von Hesse.

 

No. 3 - La Tarantelle - Concert Study A Flat . . . Liszt.

 

No. 4 - Four Chopin Revisions by Carl Mikuli.

           A. Nocturne op 9 No. 2 E Flat Major.

           B. Mazurka op 33 No. 3 C Major.

           C. Valse Brilliante op 34 No. 3 F Major.

           D. Valse op 64 No.1 D Flat Major.

If any numbers on the programme might be selected as being specially deserving of mention these would be Nos. 1 and 2 in Part II. The composition by Liszt was played with such expression and brilliancy of execution, that an encore was requested and given, while the selection entitled “Saint Monica at the Bird Carnival by the Brook” brought forth the hearty applause it justly deserved.

 

The manager, Mr. Chester, has announced his intention of giving a second recital, which, by popular request, bas been fixed for the 18th inst. at the Collegiate Hall, the prices being the same as on Tuesday night.

 

cartieradvert.jpg
Daily Gleaner January 18 1912 p 2

January 20, p 17

 

GRAND RECITAL.

 

Second Appearance of Mr.

Cartier in Kingston.

 

SPLENDID PROGRAMME.

 

Audience Was Not as Large as

It Should Have Been.

 

   The piano recital given by Mr. H. St. Nicholas Cartier, (the great Jamaican artist, who has recently arrived from the United States), at the Collegiate Hall on Thursday night last, might well be termed a musical triumph, from an artistic point of view, but the attendance was very poor. Judging from the high standard of the programme, one could arrive at but one conclusion: that the lovers of music of this community could not have had the slightest conception of the high degree of magnificence of the sublime treat that was in store for them, otherwise, they would not have been conspicuous by their absence.

 

The great artist made his first bow for the evening, which was received by the audience with loud applause, precisely at 8.15 o’clock, and from the very start, he fairly enchanted the audience who did not fail to show their appreciation of his wonderful talent., by repeated encores. Mr. Cartier displayed a complete mastery of his profession, overcoming the technique of the different items of the programme with apparent ease. His rendition of Miserere aus Trovatore, Von Verdi Grand Concert (Paraphrase) by Franz Liszt, created a furore, and was deservedly encored.

 

But the culminating point of his evening’s success was reached when Mr. Cartier struck up “St. Francis of Paola, walking on the Waves” a legend by Liszt. The marvellous pianist gave

A WONDERFUL REPRESENTATION

of the awesome moaning of the angry billows, with the occasional boom of a mighty breaker, on the bass notes, while, on the treble notes, the systematic rise and fall of each wave was vividly brought before the mind’s eye. The selection evoked an encore. Mr. Cartier excelled himself in his rendition of “St. Monica at the Bird Carnival by the Brook,” a legend by Carl Von Hesse, played by special request. In this selection, the babbling of the brook, and the confused whistling of myriad birds, were adroitly counterfeited. The artist received an ovation from his audience, in a manner which did ample justice to their small number. At the conclusion of the proceedings Mr. Cartier was fairly besieged behind the screen by grateful individuals from the audience, and many were the congratulations which he received. The recital was certainly one of the best, if not the best ever given in Jamaica.

January 25 p 3

GRAND RECITAL

 

A rare treat is in store for the residents of Port Antonio, in the shape of a grand recital to be given by the marvellous artist, Mr. H. St. Nicholas Cartier, in that town on Saturday eveening, Feb. 3rd. The programm will be something above the ordinary, and as Mr. Cartier’s achievements on his favourite instrument has fairly fascinated his metropolitan audiences, we predict a bumper

house on the night of the 3rd prox.

 

February 15 p 14

 

MUSIC TEACHERS.

The Guild of Music Teachers held a special meeting in the Cowen Music Rooms on Monday evening, February 6th to hear the address which was delivered at special request by Dr. St. Nicholas Cartier, the talented pianist now in our midst. Mr. Astley Clerk introduced Dr. Cartier to those present. The Doctor then deiivered a very inspiring address on Interest, Enthusiasm, Unity. What membership means, the responsibility of the teacher, and then gave an able comparison of methods.

A hearty vote of thanks was tendered the doctor for his helpful words.

             

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I have found no further references to Mr. Cartier in the Gleaner, but I still need to look at the Jamaica Times for the relevant period.

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